reorienting, moving through time and space

Reorienting from losing your balance; moving through time and space. Yeah, it feels like that. Those two are never too far apart.

The cerebellum, a component of the cerebral structure, receives unconscious signals from the body. The cerebral cortex deciphers these signals, noting where the body is in space, particularly during movement. Shifting and flowing through poses can help with balance and proprioception.

The cerebellum is responsible for muscle memory. It detects imbalances and coordinates body and eye movement. This helps us adapt to complex movement patterns, making them feel more second nature.

a good place to wait

The other day, I was at a good place to wait. I shuffled through my options and browsed a few job postings online. The job descriptions sounded inconceivable, leaving me tone-deaf. They were resoundingly plangent and eerily atmospheric like from a bad dream or an alt sci-fi world beyond me. They were lengthy and esoteric. Like, What does this even mean?

I’ve eaten the dust of trailblazers, envied the prosaic lives of my wealthy peers and known the ridicule of highbrow intellectuals. It must be common to feel like this: to live parasitically off others to satisfy, or at the least address, that pang of literary hunger, and to feel a tad dated with the slow, yet aggressive prevalence of artificial intelligence.

I am in this interim, but I was just here. I haven’t recognized whether to capitalize on what I know or deviate from a path I’ve been walking. Lately, it’s a lot of feeling stuck, waiting for any available opportunity to emote what this means. Opportunities these days mean a quiet empty house for a couple of hours, a good sleep and being aware of my thought patterns. If the opportunity presents itself as accessible, I’m lucky to string a few words together. A few years ago, I convinced myself to stop looking for meaning, but to start, to throw myself into the abysmal vacancy knowing I had nothing to lose.

I needed to humor myself.
I needed to write like them.
Move and shake like them.

a good place to wait

But I also needed to retire this idealistic view of where I needed to be and instead, identify the process.
I needed to write words on Post-its to keep words close to me at all. I found myself referring to dog-eared pages of books from seven years ago to recoil in emotion. My subjective attitude toward reality has always shackled me to this writer-life, far from a career that I found only exists in my daydreams or others.

I needed to continue feeling alive, despite feeling unwell. Recognize where the fount of my inexhaustible force, that zeal, is. Is it dormant in the continuity of thought and feeling? Found in the relentless quest of finding meaning? Is it deep in the crevice of struggle? Somewhere in between relationships or fact and fiction?

Lately, the world has been loud and infallible at cajoling me to move and live based on the grounds of logic. But as writers, we know that we are spurred by sensations and instincts, qualities we ration to keep our identities preserved, ourselves known or our sanity whole. It is our insanity keeping us alive, albeit brittle, and functional to seek greater depth in understanding and connection.

However, the disconnect, the chasm, never felt or looked so vast as it does now.

Let October have this one.

The fall equinox found the best seat in the house. It entered the room with a pumpkin spice loaf and a hint of seasonal depression. I never know whether to grieve or celebrate its advent, deluded by its novelty that I know will peter out like the sounds of cicadas in June.

So, instead, I stare into trees and give them personalities. Some are impulsive for change, eager to return to dormancy, to shake off some excess. Others stand deeply rooted, skeptical, and say, “It’s not time yet,” after having been burned before.

I get it. Trusting cool, quiet mornings is hard when the days scorch you.

On their terms, leaves curl up and fall to the ground to decompose, so the trees could return what was given to them. Some lean into change, others stand tall and tower over smaller vegetation, envious of their evergreen equals.

What the rest of autumn lacks, the anticipation —the transition — the subtle interval holds: yellow school buses roaming through neighborhoods, kids idling at bus stops poring over their sneakers, and cars imbuing interstates and off-ramps. Mornings feel a lot different; sunsets have shifted a few degrees over, and crowds seem subdued.

These observational qualities of the impending season will fall tragically to a collection of oversights if not noticed. But if you listen, there is an exchange to be had.

The foliage inchoately turns ochre, yet too quickly for us to see, as preoccupations like football season and fall recipes pool at the forefront of our minds. Porch lights flip on a quarter before five, and gutters end up littered with sienna-colored leaves by December. To some, the seasonal shift feels like an old friend leaving you at the bottom of the escalators at LAX. To others, it’s a vacant terminal on a Christmas Eve dawn, greeted by that same companion.

But back home, the climate belies this one. There, the sun overstays its welcome on melancholic days, and autumn feels more like early spring. I think of my aging parents. I think of their brittle bodies. Mom’s salt and pepper gray fringe and deep red lipstick. Sisters, nieces, nephews, and old friends are aging twice as fast in a single year. The longer I’m away from home, the shorter the time it seems I have with them. It’s hard to be away; it’s harder to go back. The closer I am to finding solace, the further I am from my roots. Homemade adobo hits differently after a four-hour flight in recycled air, on top of years of unappreciation for its flavor profile or the love put into it. 

If conversations I never had growing up were swept under the rug, then so much is being said now. Or I’m a better listener. If I dial down the noise and stop fidgeting, I will learn that these conversations were always had… through food, at overstimulating loud family gatherings, and through Mom’s sacrifices. 

Several seasons ago, we cared too much; we held standards and grudges. Compared toys and the shapes of our thought patterns and professions. In this season of life, we hold our last bit of savings, feeling like a sell-out, and prefer silence over sound. We wallow in guilt-ridden drives home, thinking a phone call should be made. We miss people, even the Mazda driver we were following who just turned off on the last exit – thankful for their consistent and smooth braking patterns that made the dreadful commute tolerable. Have a nice life, I say.

I worry I’m a patchy correspondent, knowing I’m hardly a friend, and I’m running low on excuses, always blaming the ephemeral seasons.

The trees tell me to shake it off. The seasons call this the interim. Friends say it will pass. My son tells me without telling me to be in the present. But as I straddle the line between here and there and fact and fiction, these reductive interpretations feel like a wool turtleneck worn in 80-degree weather.

I blink. My eyelids fold in like an accordion, and I see my son, hailing proudly from his corner chair with yogurt in his hair and a marred iPad to his left. He cracks a grin, likely plotting trouble while I sit back and decide if he should have this one today. 

On days like this, I’m seven years old, waiting for Mom, hoping she doesn’t work double. Dad’s still in Burbank, idling in ungodly traffic on the 101. I’m home, but homesick, with leftovers in the microwave, and the only light turned on in the house is the second-floor hallway.  Still, a single digit number, blowing in game cartridges, repositioning the metal antenna on the kitchen television, and unaware that 30 years later, the home I grew up in would be torched to the ground. 

Several seasons later, I’m 37, a weeping willow. My son, a palm tree exploding with sunshine. A spoon strikes the dining room table, and I wake from a nostalgic stupor. I tuck my ruminations under the pillow next to my favorite Polly Pocket. Feeling immensely overwhelmed by a barrage of notifications, boggled by when I subscribed to them. I clear them all in one sweep without having looked at them.

 What will find me, will. What won’t, won’t. 

I wipe my son’s hands, wondering how I’ll get through today. While I recall peers my age who’ve bolted from the idea of parenthood, I shift my focus to this resplendent creature before me, who I hope will never know what is truly going on.

I stare at trees hoping to understand the world around me, life, and family. I study weather patterns maybe too closely than the average person, thinking something is in the air, but there isn’t. I stare at strangers conversing, wondering if we are all just having conversations with ourselves. Is life a series of back-and-forths? Having too much time on our hands? Too many thoughts on our minds? saying something only to take it back? Are we just here for a good time? Not for a long time? I stand still in this seasonal cycle to understand my son and his bouts of dysregulation.

Let him have his season, I say. Then let him enter the next one.

S P A C E

It was yesterday when Facebook posts were either inner monologues or rib-tickling, witty remarks on a good day. I still look forward to Instagram captions that aren’t too far from diary entries, ones that do not yield to back-and-forth harangues in the comment section, but rather support, or better, no comments at all.

Just space.

But why can’t we just listen?

Holding space for others is not natural. Because while we itch and fidget with this relentless dire need to speak over listen, nothing, let alone effective, gets transmitted to the receiving end.

The ego merely does not exist, it pervades. It pools around. Bleeds.

How do we notice what’s unfolding when we are too preoccupied with overlooking? How do we ponder the mystery? Wistfully stare into questions?

I neither know how to feel nor know what to believe on most days. That’s okay. Not knowing is terrifying. But it allows for receiving. Committing is an uphill battle when you are often inspired by contradictory things, people even. I bop from one polarizing state to the other, from self-deprecation to self-idealization. I am a POS to those close to me and a saccharine joy the next. It’s paralyzing most times and I often do nothing, like almost not posting this. If I never knew how to commit to a 9-to-5 job or how I feel about today’s chaos, it was maybe my middle-of-the-road approach and my processing of information, that came at me in droves.

My neurosis can account for that.

But I’ll remember that it is words with which I involve myself; artists whom I aspire to, but am careful not to envy. And the illusory space I hope to find myself in with the fiction I write.

Pause. Quietude.

I am not different from most. I am neither special nor spectacular. I just am.

As I expose myself to new experiences, walk new paths, and condition new habits, I’ll hope to disempower older, useless ones. I will follow the conception of thought as it shifts and shapes into some matter that words, careless ones, will fail to capture.

We won’t always have the right words to express what’s inhabiting the mind through entries, captions or prayers.

I’ll stand back here with the posers.

by Rina Pritchard

I think some of us resist delighting in our accomplishments or even, simply, the good times. Maybe fearing they’ll end too soon or that we are undeserving of the joy of this magnitude, the success of such weight, or opportunities this wonderful, as though our self-esteem hasn’t yet caught up. So, we examine it, nearly pick it apart. We end up not sharing these fleeting moments and they become archived in this backlog of experiences, filed away in a hard drive of “Things that didn’t make it.”

We aren’t left with regrets, just recollections.

But that feeling of h i g h .

Have you ever reached a level of High that although yields excitement, it’s still vertigo?
That although you’re lifted by the hands and shoulders of others, you’re still afraid of heights.

But you dislike mosh pits, intentional collisions and skin too close to yours.
So, you get down.

In spite of the thrill, flattery, applause and the people flooding your space,
The noise got too loud
The space dwarfed in size
The air suffocating.

You get down and think you’re safe
That you can breathe
You can see the floor
Your feet making contact with the ground

But no one knows about you here.
Your name – unheard of.
Your sense of purpose is lost on you.

It wasn’t that you wanted to extinguish your light, but it was that you didn’t want to burn too brightly, only to burn out.

So, burn out.
Burn out, so you can find that spark.
Check out
Check out to check back in.

Maybe it’s essential for us to get a little bit of ourselves out as if we are emptying pockets of quarters, so we can move better or walk a bit faster.

We may feel lighter for a few moments before feeling bogged down again. But it’s important for us to release, to unclench our fists. It’s important for us to get out of our way.

But how can we come back?
Is there turbulence on the return flight home?
What are we truly made of?
How do we stay self-effacing?

I will continue to romanticize the underdogs
The otherness
The spaces in between
The gray areas
The forgotten writers
The overlooked ones
The deep cuts
The arrivals
The departures
The returns
The ones and things that don’t stay for long.
The increments
The measures over full doses
The ideas over the real thing.

Can we write, can we make anyway, despite the output?
Begin to stop identifying with the form and start identifying with the formless?
Continue to see the cracks in spaces but also fall into them?

Rather than embody our personalities, can we embody moments?

Are we romping in the world of art like we are children playing make-believe because there are no right or wrong answers? Or did we already delete that thought at our first encounter with defeat? If art has fueled us or given us a purpose, I hope we return after long seasons of dry spells.

Return, arrive, show up as you are — wordless, uninventive, bare, ordinary.

We might lose all senses, go mad, and find a detachment from a reality we’ve known too well. Whichever medium we use to demonstrate our passion, we all share an acute understanding of feelings and a lot of it.

We meet in the middle.

We exchange afflictions.

We look at each other and say, “I see you.”

We toast to bad habits.

We cheers to old flames.

We look at ourselves merely by looking at each other.

And arrives this literary progeny we’ve somehow birthed simply by losing it.

Be full, indulge. Then feel empty.

Restore.

Have your seasons and embrace the patterns.

You’ll trip over your own foot, smack your face on the pavement, curse like a sailor and lose your better judgment, but you’ll have created an art worthy of sharing with someone in dire need of a reality from the one they experience every day.

So, although the sound of our voices, the spotlight and the social realm make us cower, we should allow ourselves the chance to claim our space.

To claim without attachment.